MOVEMENT ON THE EDGE
Everything was endless with a maximum of intensity and a minimum of movement. There cannot be less movement to tell such a complex tragedy without words. Tess de Quincey was so powerful that she needed neither the light changes not the wire of the set for her
Ballett-Journall Das Tanzarchiv, Kurt Peters October 1988
dance, installation, sound & light design Tess de Quincey
Reviews (PDF)
Ballet-Journal Das TanzArkiv, 1 Oct 1988 (German/English)
Sydney Morning Herald, 27 March 1989
Previous Season Details
1988-89 – Tokyo – Plan B Theatre
1988 toured to Cologne, Barcelona, Paris & Copenhagen
1998 – Sydney
