Everything was endless with a maximum of intensity and a minimum of movement. There cannot be less movement to tell such a complex tragedy without words. Tess de Quincey was so powerful that she needed neither the light changes not the wire of the set for her

Ballett-Journall Das Tanzarchiv, Kurt Peters October 1988

dance, installation, sound & light design Tess de Quincey

Reviews (PDF)

Ballet-Journal Das TanzArkiv, 1 Oct 1988 (German/English)
Sydney Morning Herald, 27 March 1989


Previous Season Details

1988-89 – Tokyo – Plan B Theatre

1988 toured to Cologne, Barcelona, Paris & Copenhagen

1998 – Sydney